Anonymous yet personal, this Blog chronicles
the daily events and musings of Jim.
It provides an easy way for his friends and family to check in on him,
and serves as a online repository for his random
thoughts, kaleidoscopic flashbacks, and writings on an array of diverse topics.
“Deconstructing Jim” is simply here to
entertain you, but not intended for college credit.

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Sunday, November 8, 2009

Dante Alighieri: Superhero

Dante Alighieri (c.1265 – 1321) is known by many simply as il Poeta (the Poet). His "Divina Commedia" is considered to be one of the greatest works of world literature.
A statue of his likeness stands in the Piazza di Santa Croce in his home city of Florence (right).

Now il Poeta is set for a hi-tech makeover. On February 9th, 2010 Electronic Arts (EA) will release "Dante's Inferno" - an interactive video game for the PS3, XBox360, and PSP gaming platforms.

EA's website explains the transformation...

"Inspired by the real Dante Alighieri, but adapted for a new generation and a new medium, the hero of the game is a soldier who defies death and fights for love against impossible odds. The Italian mercenary Dante returns home from the wars to find that his beloved Beatrice has been murdered, and her soul pulled down into Hell by a dark force. He gives chase, and vows to get her back. For weapons, he wields Death's soul-reaping scythe, and commands holy powers of the cross, given to him by Beatrice."

Apparently, gamers will be able to select from a menu of Nine Rings of Hell to confront evil and fight bad guys. The nine circles are: Limbo, Lust, Gluttony, Avarice (or "Greed"), Wrath and Sloth (or "Anger"), Heresy, Violence, Fraud, and Treason. Sounds like lots of fun.

After EA releases Inferno early next year, I wonder if Purgatorio and Paradiso video games will follow.

Having seen Gustave Doré and Salvador Dalí's powerful artistic visions inspired by Dante's masterpiece, I suspect that Electronic Arts has a hard act to follow. I wish them luck, but fear that their main character - superhero Dante - will exude more brawn than brain. Oh yeah, Virgil is a wimp.

Links:

http://en.wikipedia.org/wiki/Dante_Alighieri

http://www.dantesinferno.com/

http://dante.ilt.columbia.edu/images/dore/inf.html

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Friday, November 6, 2009

Cry Melodies

We've long know about the cultural divide between French and German music. It's one of the great aesthetic confrontations of music history, and the conflict continues today.

Now, researchers at the University of Würzburg in Germany have made an interesting discovery - and it involves (of all things) screaming babies.

What they found is that French babies had a tendency to cry "with a rising melody contour." In direct contrast, German babies cried with falling melodic contours in their vocalizations. These differences in pitch inflection mirror the pitch characteristics of the native language, which presumably was learned by the newborn prenatally.

Does this new scientific evidence lend support to our perception of stylistic differences between say Schoenberg and Debussy? I can think of numerous melodic phrases in Schoenberg that end in a descending stepwise motion. Likewise, Debussy's melodic lines often soar in a decisively upward direction.

The differences between Arnold's schrei-melodie, and Claude's mélodie de cri go well beyond an adult preference for Wiener Schnitzel or Quiche Lorraine. It's potentially something that we mastered in the womb.

The bottom line? Your musical preferences may have been set in place months before you were born.

Now, that's something to cry out about.

Link: http://www.newsweek.com/id/221357


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Tuesday, November 3, 2009

The Music Industrial Complex

Believe it or not, music fuels the economy - even in nasty recessions like the one we are currently experiencing.

Generally, I would not consider composers to be on the list of high-wage earners or among those at the top income bracket, but there is a Trickle-down effect from the works that they create. It's a larger economy that you might think. I'd go so far as to coin the term "Music Industrial Complex."

Does this make any sense? How can it be that I have never earned a single penny in a four-decade career of composing, but consider myself to be a tiny cog within the larger economic machinery of a highly profitable global business? Here's an example....

In 2006 I composed a piano piece for the occasion of Milton Babbitt's 90th Birthday. It was titled BoogieWoogie . Although the work has never been performed, a score and mp3 recording of a midi version have been available on my personal webpage for some time. From what I can gather, my piece has become a popular download item - particularly in China where thousands of consumers have found it via the search engine and mp3 music service Baidu. It was downloaded 5,613 times in the month of October. Recently I discovered that my Boogie Woogie is for sale as a Ringtone. I'm not sure what kind of revenue this piece is generating, but I'm glad that someone is enjoying the music and making a profit.

I've blogged before about what musicians and composers earn in the United States...

http://deconstructing-jim.blogspot.com/2009/08/what-musicans-make.html

It's pretty obvious that the revenue-generating side of the business is not on the creative end. Composers are stuck over on the "overhead" side of the accounting ledger. But clearly, someone is making money.

On October 28th, the New York Times published an article about the salaries earned by the stage crew at Carnegie Hall. These are the people who work hard behind the curtains to make sure the concerts go on without a glitch. The are carpenters, electricians, and stagehands. Classical music satirist PDQ Bach has poked fun at these lovable characters, who obsess about their well-defined task of setting up music stands and insuring that the program starts on time. But the job is real, and it turns out to pay pretty well.

The Properties Manager at Carnegie Hall earned $422,599 base pay, with an additional $107,445 in benefits and deferred compensation during the 2007-08 season. The building's electrician earned $327,257 base pay, and $76,459 in additional benefits. Not bad at all.

Their salaries are higher than what the average stagehand earns up the street at Avery Fisher and Alice Tully halls at Lincoln Center. According to the NY Times, those stagehands earn $290,000 per year.

The chief executive and artistic director at Carnegie Hall is not concerned about the high salary expense. He believes he is getting value for the dollar. His own salary and benefits were $946,581 for the 2007-08 season.

It's the Trickle-down effect. Composers write the music, and that act ultimately feeds product to the Music Industrial Complex, which intern fuels the general economy. There is a viable and strong market for music. No government bailouts were needed in the music biz. There were people who were quite willing to pay $154 dollars last season for the privilege of sitting in a subsidized seat at Carnegie Hall to hear the Boston Symphony Orchestra premiere William Bolcom's Symphony No. 8 for chorus and orchestra.

Tickle-down is how the economic system works. Living in NY is expensive, and professionals working behind the scenes on stage crews deserve to earn a fair wage. But let's not forget that composers are professionals too. They create the product that musicians rely on. Music inspires the public to open their wallets and fork over excessive amounts of hard earned cash.

The Music Industrial Complex would wither to nothing if composers disappeared from the equation. Therefore, I declare November to be "Hug a Composer" month.

Link: http://www.nytimes.com/2009/10/28/arts/music/28hands.html

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Monday, November 2, 2009

Total Recall


I watch the CSPAN channel. I especially like viewing the lectures and interviews with authors on the program Book TV.

Yesterday Book TV featured Gordon Bell and Jim Gemmell speaking at the Computer History Museum in California. Their book is titled Total Recall: How the E-Memory Revolution will Change Everything!

E-memory (in contrast to bio-memory) involves the large-scale digitization of an individuals life experience. The authors on-going project is to record and archive their personalized e-memories and maintain them in a huge database indexed with as many data points as possible. Their goal is to study the issues surrounding how this information can be stored, organized, structured, and accessed - as well as to research the tangible benefits and outcomes.

Working under the auspices of Microsoft, Bell and Gemmell have experimented with E-memories since 1998, and learned legions in the process. The technology of using computer memory to record every detail about a person's life has improved greatly in recent years. It is fair to say that in the very near future average people will be able to digitally preserve all of their experiences and easily recall them whenever they wish - at will. It's really just an iPhone upgrade away.

Gordon Bell was head of Engineering at Digital Equipment Corp, and now is a principle researcher at Microsoft. He's written several books, including High Tech Ventures: The Guide for Entrepreneurial Success and Computer Structures: Readings and Examples. His associate, Jim Gemmell, is also a senior researcher at Microsoft (fun job if you can get it).

Both men wear equipment such as BodyBuggs, GPS receivers, digital video cameras, assorted recording instrumentation, and customized portable computers to store and catalogue their every move and bodily function. This is a 7 days per week, 24 hours per day, ongoing project. Steps have been taken to insure their privacy, but data security is clearly one of the probing questions that still needs to be addressed.

On the face of it, this over abundance of self-documentation seems intimidating and rather pointless. But it turns out that many interesting events in life happen unplanned and unexpectedly. In hindsight one can never predict what will happen or what information you would want to recall in the future. Therefore, by recording everything in your life, from youth through old age, you and your ancestors will always have access to a detailed and precise permanent record of any event.

How would all of this information be organized? It turns out that most of information is unstructured data - utility bills, phone conversations, spontaneous walks in the park, and a stream of email messages and web pages visited. The researchers refer to their individual data stores as "life-bits." All of their personal data, collected in real time, can be time-stamped and cross-linked to specific locations via GPS coordinates.

By creating links between all our their daily telephone and computer-based interactions (e.g. scheduling, communications, documents, web-browsing, video records, etc), a life-story emerges. Spikes and patterns appear in histograms, such as when important life events occurred. Aside from the practical matter of having documentation of everything, interesting trends emerge.

Gordon Bell, acting as a guinea pig for this on-going human experiment, has had all of his "legacy" photos and documents scanned. He has little or no paper in his life, but stores his life-bits on a really huge hard drive at his office at Microsoft (which is fully-networked and backed up). Bell has converted his entire life-history, in all aspects, into binary numbers. He estimated that it requires only about 200 data types, much of which are self-defining and self-archiving. He looks forward to the day when he gets his utility bill electronically in XML format, so that it will not have to be scanned and into his personal data store.

Once can foresee the day when every person on the planet will be assigned an IP v6 address which will be their life-time identifying number. No more social security numbers. No more alphabetical names to fuss over, just a logical address somewhere in the ether of the digital cloud.

What's an example of how this information might be used? Well, perhaps someday you would want to view a video of Grandpa catching the big fish he often told the story about, and while you were at it, check out what he had for lunch on that day and listen to the conversation he had with his fishing pals.
It turns out that bio-memory is pretty good at indexing all of our life experiences via the dimensions of geographic location and date-time stamp.

Although structured data and tags can also be superimposed on the raw information to provide additional categories of classification, it tuns out that the human memory most often refers to these two basic and fundamental search algorithms for data retrieval.

Think of life-bits as a vast repository of your personal data, from your first dirty diaper right right up to your final breaths - and it will include all of the messy details in between. Retrieving information from it would be like "googling yourself" on steroids.

At first I was put off by the concept. Why would I, or anyone else be so interested in my boring life? But when you hear about some of the practical applications that potentially stem from implementing this technology, then you begin to see the potential.

For example, my son is about to embark an a very expensive college education. He may end up spending up to $200,000 at a 4-year private institution. It is known that the human mind can only absorb and record a small fraction what we hear in classroom lectures. Not only that, over time the long-term retention of memory drops off significantly. Wouldn't it be nice if my son could have a permanent record of his entire college experience along with searchable and retrievable records of the people he met and spoke with at college? Not only would it be very useful information to reattain throughout life, but perhaps it could also be re-sold to another person seeking a college education - but at a hefty discount (say 50% off the brink-and-mortar price). It would create an entire new market in second-hand college educations.

Health monitoring is another interesting application. BodyBuggs and devices such as Bluetooth-enable scales are on the market already. These devices monitor our vital signs - from heart rate to blood pressure, to changes in BMI and body weight over time. Having a long-term history of our physical profile can aid medical practitioners in the diagnosis and treatment of ailments. The data can be graphed and presented to your medical team. It could aid medical research.

Looking back at my own life, I've gone to a lot of concerts in the past 40 years or so, and my bio-memory of them is beginning to fade. I have saved the concert programs from just about everyone of those concerts, and I store them in boxes located in my basement. It takes up lots of space. It would be nice to have a more permanent and easily accessible digital record of what transpired within the walls of those concert halls across the world.

Copyright issues aside, I can bring my Samson Zoom H2 digital audio recorder along to a concert today. It will allow me to make CD-quality recordings right onto flash memory. But that technology was not available in the 70s and 80s. If it had been, I would have used it. All of the concerts I've attended over the decades would have been indexed by date and geographic location. The concert programs would be scanned directly into my personalized life-bits database and cross-referenced against the corresponding audio recordings for future reference.

The future is here, but unfortunately I have to rely on my decaying bio-memory to recall most of the past. I hope that my neural-memory index doesn't get corrupted, since I don't have a bio-backup. Future generations may be more fortunate thanks to the emergence of e-memory technology and data warehousing.

Links:

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Flying


"Look mom and dad, I can fly!"